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The instinctive emotional response to the process of growth, repetition, duality, a constant push and pull between the opposites of order and chaos, planned and spontaneous, perfect and imperfect are ideas that drive my creativity. Having a background in architecture, the appreciation of surrounding environment is the starting point of every piece. Their design is defined by a set of guiding principles and a process of response, carefully curating a conversation with the space that surrounds them. It is about how the pieces answer to their environment as well as the material they are created from rather than how they look on their own and it is designing with voids and shadows as much as with material elements.

What started my exploration in clay was its honesty, tactility and vulnerability. Through working with it I began to start wondering about what creates an emotional human connection and what is it that makes us human. We are all based on algorithmic DNA, the same in principle, yet everyone is unique with the addition of unpredictable and spontaneous events that shape us to who we are. This innate clash of algorithmic and chaotic that we feel instinctively within us, the ever-present duality is my constant curiosity. I also strive to preserve in my pieces that sense of vulnerability and human connection through leaving in it my marks, gestures and fingerprints.

My work is made entirely by hand in unglazed porcelain with delicate metal details. I develop additive processes of accumulation of gestures, materials and elements and then create a series of pieces through the same process, but with each being completely unique, though different material response and slight variation of gestures. Putting those pieces together creates a conversation between them emphasizing simultaneously their similarities in their differences and differences in their similarities.


CV

Exhibitions:

September 2020 ‘Prism’ Thrown Contemporary Gallery

March 2020 ‘Being Human’ Thrown Contemporary Gallery

January 2020 Roka Aldwych Exhibition

December 2019 Roka Aldwych Red Installation

October 2019 ‘Makers Apartment’ Bergman and Mar

October 2019 Decorex 2019

June 2019                 New Designers, One Year In

May - July 2019       Makers & Craftsmen curated by Bergman & Mar

May 2019        Cluster Crafts exhibition

November 2018        Serendipity installation for Vivahouse at Whiteleys, London­­­

September 2018       Maison Sophie Lacasse, Paris

September 2017       London Design Festival 2017 – Keramos, London

March 2017               Human+Kind.love, Interactive art installation for charity

June 2011                  Design Review, Architectural Association, London

June 2010                  Design Review, Architectural Association, London

February 2010           Camouflage exhibition, Architectural Association, London

Awards:

Cockpit Arts/CLEAR Award 2019

Features:

March/April 2021 Ceramic Review issue 308 ‘One to watch’

March 2020 Homes and Gardens ‘In with the new’

Education:

2013-15         London Metropolitan University | MA Architecture

2009-11         Architectural Association | Architecture, Intermediate course

2010               Architectural Association Summer School | Interactive installation

2007-09         Wroclaw University of Technology | Architecture