The instinctive emotional response to the process of growth, repetition, duality, a constant push and pull between the opposites of order and chaos, planned and spontaneous, perfect and imperfect are ideas that drive my creativity. Having a background in architecture, the appreciation of surrounding environment is the starting point of every piece. Their design is defined by a set of guiding principles and a process of response, carefully curating a conversation with the space that surrounds them. It is about how the pieces answer to their environment as well as the material they are created from rather than how they look on their own and it is designing with voids and shadows as much as with material elements.
What started my exploration in clay was its honesty, tactility and vulnerability. Through working with it I began to start wondering about what creates an emotional human connection and what is it that makes us human. We are all based on algorithmic DNA, the same in principle, yet everyone is unique with the addition of unpredictable and spontaneous events that shape us to who we are. This innate clash of algorithmic and chaotic that we feel instinctively within us, the ever-present duality is my constant curiosity. I also strive to preserve in my pieces that sense of vulnerability and human connection through leaving in it my marks, gestures and fingerprints.
My work is made entirely by hand in unglazed porcelain with delicate metal details. I develop additive processes of accumulation of gestures, materials and elements and then create a series of pieces through the same process, but with each being completely unique, though different material response and slight variation of gestures. Putting those pieces together creates a conversation between them emphasizing simultaneously their similarities in their differences and differences in their similarities.
CV
Exhibitions:
September 2020 ‘Prism’ Thrown Contemporary Gallery
March 2020 ‘Being Human’ Thrown Contemporary Gallery
January 2020 Roka Aldwych Exhibition
December 2019 Roka Aldwych Red Installation
October 2019 ‘Makers Apartment’ Bergman and Mar
October 2019 Decorex 2019
June 2019 New Designers, One Year In
May - July 2019 Makers & Craftsmen curated by Bergman & Mar
May 2019 Cluster Crafts exhibition
November 2018 Serendipity installation for Vivahouse at Whiteleys, London
September 2018 Maison Sophie Lacasse, Paris
September 2017 London Design Festival 2017 – Keramos, London
March 2017 Human+Kind.love, Interactive art installation for charity
June 2011 Design Review, Architectural Association, London
June 2010 Design Review, Architectural Association, London
February 2010 Camouflage exhibition, Architectural Association, London
Awards:
Cockpit Arts/CLEAR Award 2019
Features:
March/April 2021 Ceramic Review issue 308 ‘One to watch’
March 2020 Homes and Gardens ‘In with the new’
Education:
2013-15 London Metropolitan University | MA Architecture
2009-11 Architectural Association | Architecture, Intermediate course
2010 Architectural Association Summer School | Interactive installation
2007-09 Wroclaw University of Technology | Architecture